Is your painting a flower blossom art that makes circles and waves? Are these cycles of hand color prints? Are these palm stamps? Are these archaic arts?

Michelle Ditrich does not paint with techniques such as paint bombs, projectiles or spray and other machine paint guns, but she paints with her own hands quite willingly. A competition, a competition, similar to a piano concert with several hands, but in one person. It is an art of touch, a so-called touch art, a palm printing art. She uses her hands as stamps and printing plates, and she knows wonderfully how to use these extremely sensitive hands, with her very own sense of color, to swing entire gardens, even circles of flowers. It is a camouflage net work of art, a food for palm readers and graphologists.

Once softly, once gently, once rhythmically, she manages to achieve the most varied of shades and overlays. Their pronounced color instinct creates beautiful patterns that can also be compared with the camouflage function of many animals and plants. Many pictures look as if there was previously smooth paint and then a thunderstorm or hail had broken out on them. Different vibrations and movements can be seen, like boiling water in different colors. All of this also reminds us of the alchemists' witch kitchens. This lightness, fluidity and transparency, this weightless feeling that you get when looking at her pictures, gives you a lot of strength.

These images are to be valued so highly because today we have thousands of instruments and robots available that can be used for technical production. Today we are flooded with technical video and perceptual art. She, on the other hand, just does everything with her hands, even with her feet. I think she has the sixth sense.

Michelle Ditrich is an ambassador for peace and love. Your pictures are precious, original and original, and have enormous charisma. Your art is human and immediate.

Long live the archaic art, the original art, the source art, the art of palm printing, and above all the rhythm and the sensitive sensitivity, this concert between the mountains of Venus and the moon, which she gives us with the heels of her hands, a kind of sign language, which must be valued.

Prof. Dr. Fabian Kulterer, cultural researcher